I began to write short stories in 1991. I thought, after completing an 80,000 word novel and almost getting it published, that a good short story of around 5,000 words would be much easier to write. It wasn't.
I had some advantages over other writers, the main one being that I had seen a bit of the world and, somehow, had the ability to describe a scene. Jamaica was one of the places which featured in my early stories. On the down side, I knew nothing of how to construct a good story - the concept of 'plot' still defeats me.
I had some advantages over other writers, the main one being that I had seen a bit of the world and, somehow, had the ability to describe a scene. Jamaica was one of the places which featured in my early stories. On the down side, I knew nothing of how to construct a good story - the concept of 'plot' still defeats me.
The first short story that was good enough to send off to a competition was called 'The Last Jump of the Sand Flea'. Set at sunrise on a bar terrace overlooking the Caribbean, it involved a rather arrogant young man, and was all about leaving a place and people's attitudes towards the person who is leaving. Read it here.
Short stories aren't like books, you can't send them off to agents and hope they'll find a publisher, so one has the choice of trying to get magazines to publish them - a hopeless task for an unknown author - or of gaining recognition by winning one of the many short story competitions. So I entered my story in a competition run by a local literary group and, to my amazement, it won.
It didn't do me much good. The group didn't publish anything so the success counted for little - except, once again, to spur me on to try to win one of the big competitions, the most prestigious of which, at that time, was the Bridport Prize.
It didn't do me much good. The group didn't publish anything so the success counted for little - except, once again, to spur me on to try to win one of the big competitions, the most prestigious of which, at that time, was the Bridport Prize.
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